Dark Rain (fanfare band score & parts) DOWNLOAD by Andy Scott
SKU:
am104-01b
£75.00
£75.00
per item
Description
Composer: Andy Scott
Instrumentation: saxophone concerto
Size: 1 x A3 score @ 50 pages, 29 parts @ 5-7 pages
Total Duration: 18 minutes
Astute code: am104-01b
ISMN: 979 0 57031 253 5
ONLY AVAILABLE AS PDF DOWNLOAD
Instrumentation: saxophone concerto
Size: 1 x A3 score @ 50 pages, 29 parts @ 5-7 pages
Total Duration: 18 minutes
Astute code: am104-01b
ISMN: 979 0 57031 253 5
ONLY AVAILABLE AS PDF DOWNLOAD
Winner of the British Composer Awards 2006
Wind Band or Brass Band
for this piece: Dark Rain
Wind Band or Brass Band
for this piece: Dark Rain
This version includes A3 score and Fanfare Band parts only
The two solo saxophone parts are available as a 2 part set here
Dark Rain concerto has been arranged for Fanfare Band by Jos Dobbelstein
Fanfare Band (sopranino sax, soprano saxophone, alto saxophone x2, tenor saxophone x2, baritone saxophone, flugel horn x2, horns in F x4, trumpet in Eb, trumpets in Bb x4, trombone x2, bass trombone, baritone horn, euphonium, tuba, electric bass, percussion x4)
The two solo saxophone parts are available as a 2 part set here
Dark Rain concerto has been arranged for Fanfare Band by Jos Dobbelstein
Fanfare Band (sopranino sax, soprano saxophone, alto saxophone x2, tenor saxophone x2, baritone saxophone, flugel horn x2, horns in F x4, trumpet in Eb, trumpets in Bb x4, trombone x2, bass trombone, baritone horn, euphonium, tuba, electric bass, percussion x4)
Concerto for Two Saxophones and Wind Band (or Orchestra)
Two equal solo saxophone parts
This concerto pays homage to the versatility of the saxophone and the different styles of writing for the instrument. It is in one continuous movement and after a dramatic opening exclamation from the two soloists, journeys through a collision of contemporary classical, bebop, big band and swing before concluding with a release of tension in a final slower section.
'The writing of this concerto took up most of the summer of 2005, during which time was the 60th anniversary of Hiroshima’s destruction. In 1985 whilst on tour in Japan with the Apollo Saxophone Quartet I visited the Hiroshima Peace Memorial Museum. My experience on that visit from witnessing the devastation mankind can inflict on itself to the overwhelming quest for peace was profound. What affected me were ordinary peoples stories of that fateful day and the effect of the dark rain. At first thought by the survivors to be a salvation from the heavens after the heat of the inferno had dried up all water, the black raindrops were radioactive and many died later from it’s affects.
Whilst this double saxophone concerto is not meant to be a “war” or “peace” concerto, it does due to the period it was written in naturally convey an overall yearning for peace. This culminates in the final chorale section after the tension created by the two soloists working in tandem and individually journey though the different styles throughout this piece.'
Andy Scott
Dark Rain was especially composed for saxophonists John Harle and Rob Buckland. It has also been performed worldwide by soloists including: Arno Bornkamp & Erik-Jan de With, Kevin Ling & Timothy Sun and Henrique Portovedo & Andy Scott. The work was commissioned by BASBWE Education Trust-College Commission Consortium; Birmingham Conservatoire, Guildhall School of Music & Drama, London College of Music & Media, Royal Northern College of Music, University of Warwick, Royal Welsh College of Music & Drama.
Two equal solo saxophone parts
- soprano/alto
- alto/tenor
- The two solo saxophone parts are available as a 2 part set
- A4 piano reduction
- A3 score
- A4 study score
- wind orchestra parts (not including separate solo saxophone parts) - piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets in Bb, 2 bass clarinets, 2 bassoons, 2 tenor saxophones, baritone saxophone, 4 horns in F, 4 trumpets in Bb, 2 trombones, bass trombone, tuba, electric bass, 4 percussion
This concerto pays homage to the versatility of the saxophone and the different styles of writing for the instrument. It is in one continuous movement and after a dramatic opening exclamation from the two soloists, journeys through a collision of contemporary classical, bebop, big band and swing before concluding with a release of tension in a final slower section.
'The writing of this concerto took up most of the summer of 2005, during which time was the 60th anniversary of Hiroshima’s destruction. In 1985 whilst on tour in Japan with the Apollo Saxophone Quartet I visited the Hiroshima Peace Memorial Museum. My experience on that visit from witnessing the devastation mankind can inflict on itself to the overwhelming quest for peace was profound. What affected me were ordinary peoples stories of that fateful day and the effect of the dark rain. At first thought by the survivors to be a salvation from the heavens after the heat of the inferno had dried up all water, the black raindrops were radioactive and many died later from it’s affects.
Whilst this double saxophone concerto is not meant to be a “war” or “peace” concerto, it does due to the period it was written in naturally convey an overall yearning for peace. This culminates in the final chorale section after the tension created by the two soloists working in tandem and individually journey though the different styles throughout this piece.'
Andy Scott
Dark Rain was especially composed for saxophonists John Harle and Rob Buckland. It has also been performed worldwide by soloists including: Arno Bornkamp & Erik-Jan de With, Kevin Ling & Timothy Sun and Henrique Portovedo & Andy Scott. The work was commissioned by BASBWE Education Trust-College Commission Consortium; Birmingham Conservatoire, Guildhall School of Music & Drama, London College of Music & Media, Royal Northern College of Music, University of Warwick, Royal Welsh College of Music & Drama.
Version of Dark Rain for Two Saxophones & Wind Band
Version of Dark Rain for Fanfare Orchestra