Birds over Grey Water (mandolin & piano) by Eileen Pakenham
SKU:
am514-30
£8.00
£8.00
per item
Description
Composer: Eileen Pakenham
Edited by: Barbara Pommerenke-Steel
Instrumentation: mandolin & piano
Mandolin Grading: Intermediate Plus
Size: Pages : score 8 pages & 1 part @ 4 pages
Total Duration: 3:00
Astute code: am514-30
ISMN: 979 0 57031 291 7
Edited by: Barbara Pommerenke-Steel
Instrumentation: mandolin & piano
Mandolin Grading: Intermediate Plus
Size: Pages : score 8 pages & 1 part @ 4 pages
Total Duration: 3:00
Astute code: am514-30
ISMN: 979 0 57031 291 7
Experience ‘Birds over Grey Water’ for mandolin and piano by Eileen Pakenham, edited by Barbara Pommerenke-Steel for Astute Music. This 5-page score (with 2-page part) is an intermediate plus piece lasting 2’45”, inspired by nature’s serenity. Featuring non-tremolo articulation and continuous tremolo slurs, it’s ideal for intermediate-plus players. Download as a PDF or order a printed score.
About the Piece
This is a very atmospheric piece in which Eileen Pakenham uses the harmonies to get advantage to create a mysterious scene of Birds over Grey Water. There are a number of tempo changes which should be observed carefully.
Right Hand Stroking:
The use of right hand techniques follows a recording by the piece by Eileen Pakenham and Irene Bone. Symbols or words have been added to show where you are asked to use down or alternate stroke. In all other places you are asked to use tremolo. Use continuous tremolo where the notes have been connected with slurs. Players who differentiate between 2:1 and 2:2 alternate stroke can make their own choice where to use which technique.
This is a very atmospheric piece in which Eileen Pakenham uses the harmonies to get advantage to create a mysterious scene of Birds over Grey Water. There are a number of tempo changes which should be observed carefully.
Right Hand Stroking:
The use of right hand techniques follows a recording by the piece by Eileen Pakenham and Irene Bone. Symbols or words have been added to show where you are asked to use down or alternate stroke. In all other places you are asked to use tremolo. Use continuous tremolo where the notes have been connected with slurs. Players who differentiate between 2:1 and 2:2 alternate stroke can make their own choice where to use which technique.
