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  • Favourite Mandolin Solos from the 18th century

Favourite Mandolin Solos from the 18th century

SKU: am514-37
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Description

Composer: Various
Edited by: Alison Stephens
Instrumentation: Mandolin solo
Mandolin Grading: Intermediate
Size: Pages: score 16 pages
Astute code: am514-37
ISMN: 979 0 57031 056 2
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Favourite Mandolin Solos from the 18th Century
Edited by Alison Stephens

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This 16-page collection brings together 13 attractive solo pieces from the Baroque and early Classical periods. It features works by G.P. Telemann, J.S. Bach, F. Sauli, F. Lecce, G.B. Gervasio, and P. Denis.

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Specially selected and adapted for intermediate mandolin players (roughly grades 3–5), these solos offer musical satisfaction while remaining technically accessible. Some are original mandolin works, while others are tasteful adaptations from violin or cello repertoire. Adaptations are kept minimal to preserve the character and integrity of each piece.
Picture
Contents:
  1. Allegro from Fantasie No.11 for solo violin (1735) – G.P. Telemann
  2. Allemande en Rondeau – G.B. Gervasio
  3. Bourrée No.1 from Suite No.3 for solo cello – J.S. Bach
  4. Bourrée No.2 from Suite No.3 for solo cello – J.S. Bach
  5. Preludio from Partita III for Solo Mandolin – F. Sauli
  6. Corrente from Partita III for Solo Mandolin – F. Sauli
  7. Partita in C from Sonate e Partite for Solo Mandolin – F. Lecce
  8. Partita in G from Sonate e Partite for Solo Mandolin – F. Lecce
  9. Minuetto No.1 from Suite No.1 for solo cello – J.S. Bach
  10. Minuetto No.2 (Trio) from Suite No.1 for solo cello – J.S. Bach
  11. Soave from Fantasie No.11 for solo violin – G.P. Telemann
  12. Vivace from Fantasie No.9 for solo flute – G.P. Telemann
  13. De La Reine de Golconde – P. Denis

Performance Notes are included for every piece, with guidance on style, dynamics, tone colour, plectrum use, and fingering options. These help players achieve a clean, expressive sound suitable for concerts, exams, or personal enjoyment.

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Ideal for intermediate mandolinists seeking rewarding 18th-century repertoire that can be prepared to concert standard without extreme technical demands.

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