A Fresh Breath of Stillness: Andy Scott’s And Everything is Still... Returns in a Composer-Refined Edition

In the world of brass music, where every note balances tradition and innovation, few pieces capture quiet introspection like Andy Scott’s And Everything is Still.... Originally composed in 2008 for flute and piano and premiered by flutist Carla Sousa and pianist Lucy Colquhoun at the Royal Northern College of Music, this lyrical gem has since been transcribed for various instruments, resonating with performers who seek to explore subtle shades of expression. Today, we’re thrilled to unveil a new edition for flugelhorn and piano, carefully revised by the composer himself—crafted specifically for the exceptional flugelhornist Imogen Whitehead. At Astute Music, we’re dedicated to bringing fresh perspectives to timeless works, and this edition ensures And Everything is Still... speaks powerfully to today’s audiences.

Andy Scott, one of the UK’s most prolific and versatile composers, is celebrated for blending contemporary techniques with accessible lyricism. With over 300 commissions—from solo pieces to large-scale ensembles—his catalog spans brass, woodwinds, and more, often weaving personal reflections into music that’s both technically engaging and emotionally profound. His work as a founder of the Apollo Saxophone Quartet and his teaching at the Royal Northern College of Music have solidified his status as a leading voice in new music. Yet And Everything is Still... stands out as a meditative haven. Inspired by a poem from Lemn Sissay’s children’s book The Emperor’s Watchmaker, it paints a sonic portrait of stillness: gentle, flowing lines that unfold like a held breath, with subtle harmonic shifts that invite performers to dwell in the spaces between notes.

Clocking in at around 3:30 minutes, the piece is a single, seamless movement that balances control and vulnerability—think wide, singing intervals for the flugelhorn, paired with a sparse yet supportive piano accompaniment, like echoes in a quiet hall. Written originally for flute to honor the retirement of RNCM Principal Edward Gregson, it quickly won hearts for its understated beauty. Imogen Whitehead, a trailblazing brass performer and Principal Trumpet of Britten Sinfonia, brought remarkable sensitivity to her 2024 performance of the flugelhorn version. As Andy Scott shares, “Imogen’s interpretation unlocked new dimensions—her phrasing inspired me to refine the score for even greater clarity and impact.”

This new edition reflects a thoughtful collaboration between composer and performer. Drawing on Imogen’s insights, Andy Scott has fine-tuned the flugelhorn and piano score to enhance its expressive flow. The revisions highlight the instrument’s lyrical warmth, making the piece feel both fresh and timeless while staying true to its introspective heart. Whether you’re a conservatory student exploring emotional depth or a seasoned recitalist seeking a moment of quiet connection, this edition invites you to experience the music’s serene beauty in a new light.

The proof is in the playing. We’ve embedded Imogen Whitehead’s captivating performance video on the product page, a rendition that sends shivers with its poised elegance. Hearing it alongside this revised score, you’ll feel how the updates amplify the music’s quiet power. It’s a reminder of why revisions matter: they keep cherished works alive, evolving with the artists who bring them to life.Ready to explore this refined edition? Visit our shop to stream the full performance video, preview the score, and secure your copy today. Digital downloads offer instant access, with print options for those who love the feel of paper under their fingers.

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Have you played or heard And Everything is Still... before? How does a revised edition change your approach to a familiar piece? Share your thoughts in the comments—perhaps a story from your own performances!

​For more on Andy Scott’s expansive catalog, including his latest commissions and educational resources, visit his composer page on Astute Music.